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Craftsman 263 Piece Tool Set

I recently bought a tool set to replace the one I sold 3 years ago. Just a short review.

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    Army Photography Contest - 2007 - FMWRC - Arts and Crafts - A Plumpish Proportion

    Army Photography Contest - 2007 - FMWRC - Arts and Crafts - A Plumpish Proportion Photo By: SSG Robert Stewart To learn more about the annual U.S. Army Photography Competition, visit us online at

    Photo by familymwr on Flickr

  • light set pieces angle bokeh sale tools deal craftsman bins drawers trays toolbox ratchet sockets 283

    105. 283

    (larger on black) 35mm f/1.4L USM Just felt like taking a few photos of my new tools this evening, nothing spectacular though definitely a significant event for me. I wrote more about my experience leading up to and...

    Photo by prenetic on Flickr

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    DGJ_7737 - Sail Loft

    PLEASE, no multi invitations in your comments. DO NOT FEEL YOU HAVE TO COMMENT.Thanks. The sail loft and storage area at the Habitation. In the spring of 1606, Pontgrave had his craftsmen build a boat to set out on...

    Photo by archer10 (Dennis) 89M Views on Flickr

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  • Before & After: Connect use their DIY chops to frank up their despairing Craftsman


    His unnoticed in carpentry and set stratagem came in clever: He put in wainscoting and molding himself. Lund was away working in Atlanta during this present of the renovation. But Gourley still relied on her to decide the warpaint color — he is slenderize

  • Azzedine Alaïa Was the Closing Enthusiastic Craftsman of Manufacture


    She considered him a surrogate cur? and had her own '30s newfangled steel-framed clinic cot—set unbefitting a Julian Schnabel painting—in his studio. She needed it, as he was apt her day and eventide. Azzedine was ageless; he surrounded himself with 

  • New York Municipality's the Craftsman Pops Up at Mary Brickell Village


    The Craftsman, a New York Urban district bar, cocktail lounge, and sandwich macula, has set up a temporal unearthing interior the ex- Fellow-citizen Jimmy's BBQ room in Mary Brickell Village. The concept, which debuted in September, serves cocktails and beer, crux and cheese 

  • Mt. Airy News programme | Surry County Sheriff Reports


    • Tracy Ann Matthews, of 869 Remand centre Artless Roadway, Dobson, reported a stolen car on Nov. 3. She said between 6:45-7 p.m., a known human being tippet her 2005 

Azzedine Alaïa Was the Up to date Outstanding Craftsman of Attitude - The

—a rare anyway in the reality, as he marvellously worked to his own register and only showed his clothes when he felt that he was on to do so. Retailers and clients coveted them so much that they adjusted to his idiosyncratic arrangement (and now, a new formulation of designers are defying the inexorable, vital spirit-crushing organization and doing the same). I was providential enough to be invited to the chrestomathy, securing a led the entourage, and I was openmouthed at the simple stunner of the silhouettes, the devious curve of a felted wool peplum, or the easy grasp of a translucent skirt, its hem freighted with the fretwork of a mashrabiya cull. I had forgotten that clothes could be this admirable; no gimmicks, no lewdness, no Instagrammable moments, just superlative clothes superbly made, to praise and enrich the women he loved. Like Pierre Cardin, who began his job as a couturier at the fledgling building of Christian Dior (and even crafted the famed Bar livery from that interior decorator’s Dart 1947 premiere chrestomathy), André Courrèges and Emanuel Ungaro, who started in the tailoring workshops of Cristóbal Balenciaga before establishing their own houses, and Balenciaga himself, who could expertness a garment from beginning to end, Azzedine settled the intricacies of construction. Azzedine, like Madame Grès, trained as a sculptor. His medial was not clay, stone, or marble, but fabric, and one saw the sculptor’s art in the way he caressed his fabrics to the bodies of his respected mannequins. He considered that he would not swipe a leading sculptor, so he began making clothes. After a abstract scrimp at Dior, and afterward being let go for not having his papers in requisition (those were Daedalian years in French-Maghreb relations), he began making clothes for sneakingly clients. I’ve seen his pieces from the ’60s—laborious silk A-goods gowns that owe a owing to Balenciaga, but revealed a dissimilar estimation of cut and comparative relation. His clients gladly numbered the first-rate dressed aristocrats of France and actresses of exceptional allure, including Arletty and Greta Garbo. For years, he was their doll-sized incomprehensible. armoury in London. My mode directors Vanessa de Lisle and Liz Walker adored what the interior decorator—“young covert” no longer—was doing and took me with them on an meeting to his personal apartment near the Picasso Museum in the then-unfashionable Marais, which doubled as his showroom atelier. Andrée Putman had transformed the conventionally money-grubbing expanse into a stylish and non-partisan circumvent to the clothes, which were wonders of curvaceous construction. Azzedine had been a adjust at Thierry Mugler, but his clothes lacked the cartoonish strut of Mugler’s creations, even if his Amazonian prostitution models included the fire-haired Zuleika—who, as she struck sly poses and towered on high this petite powerhouse, looked like the demonic antiheroine of a 1940s jocose flay. From the beginning of his civic livelihood, Azzedine noted a number’s habitual assets more readily than suppressed them. There were leather gauntlets pierced with rivets that every fashionista coveted (I’ve definitely found a pair off for my whip-round, 30 years later) and loose-shouldered leather jackets, miraculously worked into a complex equation of rearrange lines and curves. There were viscose knits in lugubrious 1940s colors (olive, rust, rigid shrimp, and petrol morose), worked as association suits and skirts that wrapped and buckled over the hips. A condition or two later, Azzedine worked that viscose into ribbon strips that licked surrounding the torso, revealing slices of really as the wearer moved. I was there at the 1985 Form Oscars when Azzedine arrived with Excellence Jones, who was wearing a hooded and trained magenta reading of those illustrious horn ribbon dresses. Unsurprisingly, the blushing conniver took impress upon the evening’s laurels. Later, I went to the collections shown in this apartment, when all the celebrated models of the day gyrated down the runway. Being hurl in an Azzedine show was a consecration for a paragon—the heavenly grail—and the girls who wouldn’t get out of bed for less than $10,000 worked for Azzedine for the clothes on their backs. There was freckle-faced Linda Speirings, piquant Debbie Dickinson, her manic sister Janice, prowling down the runway like a big cat searching for quarry, and feisty Veronica Webb, Detroit-most recent and defying the ordinary attraction paradigm. From the beginning, the Tunisian-born plotter’s casting defined contrariety; it was not in the least a chit-chat, it was a given. But the show of a fawn-like teenage Campbell (could she have been 15?) chez Azzedine was a information: She was such a miracle of dreamboat and pulchritude and moved with such preternatural excellence that she seemed to buoy up the artificer to at any point greater heights of creativity. She considered him a surrogate papa and had her own ’30s with it sword-framed nursing home cot—set below a Julian Schnabel painting—in his studio. She needed it, as he was parts her day and shades of night. Azzedine was ageless; he surrounded himself with inspiring inexperienced people not only on his runway but also in his radio b newspaper people post and his atelier. In the primitive ’80s, he began working with my mania-rewriter contemporaries Sophie Hicks, the immature wunderkind at Tatler, and Joe McKenna, an dainty Glaswegian with unfathomable propriety and a naughty shut up slip that was a compare with for Azzedine’s famed irreverence. They respected his mastery and brought bright ideas for styling Azzedine’s superior girls. He was also a famous emcee: When he moved into a vasty 19th-century converted stockroom in the sentiments of the Marais, he decorated with the purloin of Schnabel (whose basic better half, Jacqueline, opened Alaia’s Manhattan outpost in then-undiscovered Soho, unqualified with oafish rolling-stock sleepers in lieu of a overthrow that created amusing scenes as needle-heeled clients tried to traverse it). Azzedine hosted epic dinners night-time after continuously in the converted expanse, filled with , and his mature-jaded commerce friends like the ethereal Sozzani sisters, Nicolas Ghesquière, and the saucy unsophisticated British journalists that he loved (who also camped out at Casa Alaïa for the pep up). I went to one of these only behind month and had to beg off at one in the morning, as I had a disperse at arrival. I felt it was an act of lèse-majesté: Clearly, our swarm, brimming with lifestyle and puissance and snooping, stayed up gossiping and chatting until 4:00 a.m. and was in the atelier the following morning, stitching and draping away. This, I was told, was par for the practice. Azzedine was also a mythical gatherer of couture; my guts would piscina if I arrived at flea markets or auctions after he had already passed past. His collecting began when a source-heeled shopper asked him to remodel a Balenciaga chewing-out share. As he couldn’t hold out to cut into the tutor’s chore, he offered to steer a course for a new get a load off one's mind as a substitute for, while keeping the Balenciaga in disagreement. Years ago, he took me upstairs to see some of his illustrious treasures, pulling back a crimson velvet curtain, installed, under the instruction of Schnabel, to run the complete ultimately of the monumental abide. The curtain flicked, revealing a set of billowing, iconic Balenciaga, Dior, and Fath ball gowns. I nearly fainted with covetous desire. Tittering mischievously, Azzedine pulled the curtain closed after my glimpse of Celestial City. Later, when the auctioneer’s gavel came down on masterworks by Vionnet, Poiret, and some of the lesser-sung talents whose expert Azzedine recognized, I knew that it was he who had acquired them, and that they would associate with the bevy of mid-century swans in the aura-controlled vaults of his headquarters. His own archives are there too, where they possession of—carry to push with the merest first-class make masterpieces of our age. Source:
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Craftsman 230-Piece Silver Finish Standard and Metric Mechanic's Tool Set 50230 02/01/17,
  • Craftsman's Construction Installation Encyclopedia

    Craftsman Book Company. 2017. ISBN: 1572181516,9781572181519. 787 pages.

    "Step-by-step installation instructions for most repair and remodeling and residential construction tasks. Dozens of jobs, arranged alphabetically. Fully illustrated with tips and tricks-of-the-trade. Includes man hours for each entry for estimating and bidding."

  • Popular Mechanics

    1960. 292 pages.

    Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

  • Popular Mechanics

    2000. 146 pages.

    Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

  • Structural Analysis of Historic Construction: Preserving Safety and Significance, Two Volume Set

    CRC Press. 2008. ISBN: 9781439828229,1439828229. 1588 pages.

    The successful preservation of an historic building, complex or city depends on the continued use and daily care that come with it. The possibility of continued use depends on the adaptation of the building to modern standards and practice of living, requiring changes in constructional or structural features. Conservation engineering is the process of understanding, interpreting and managing the architectural heritage to safely deliver it to posterity, enhancing private or public utility vis...

  • Railroad Model Craftsman

  • 3 Essential Gadgets to Monitor Your Home Whenever You’re Away


    You can set up an IFTTT applet to send yourself an email and/or an ... Kuna Smart Home Security Outdoor Light & Camera, Craftsman Bronze - Works with Amazon Alexa Kuna Smart Home Security Outdoor Light & Camera, Craftsman Bronze - Works with Amazon Alexa ...

  • David Morse and Ryan Hurst Talk WGN’s ‘Outsiders’ Season Two


    But with intriguing story lines, a set of complex characters and a locale rife with a ... Certainly it doesn’t hurt to have him be played by such a craftsman as David Morse. Born in Beverly, Massachusetts, Morse studied at the William Esper Studio ...

  • Trading Valleys: A family leaves Sherman Oaks for Monrovia, finding nature and community


    They both had grown up in the San Fernando Valley and bought a Craftsman-style house in Sherman Oaks ... midcentury with a flat roof and what he presumed were great views. A set of windows at the front of the house allow passersby to see through the ...